In the dynamic landscape of Ghanaian rap music, one artist has boldly stepped into the spotlight, claiming the throne as the savior of Northern rap – Ataaka, also known as the rap John Cena. In a recent Facebook post, he asserted his dominance, stating that he is the only rapper capable of rescuing Northern rap music from shame.
At the heart of Ataaka’s proclamation is his unwavering confidence in his lyrical prowess. In his post, he takes a subtle swipe at unnamed rivals, emphasizing that he doesn’t lose when it comes to lyricism. This not-so-veiled challenge is a clear invitation for others in the music industry to step up and prove their mettle.
The self-named “rap king” goes beyond personal pride, expressing a deep commitment to elevating the reputation of Northern rap. According to Ataaka, it’s not just about him being the best, but about him being the one artist who can uplift the entire sub-region from any perceived shame in the rap scene.
The Northern rap scene has been witnessing a surge in talent, with artists making their mark on the national and international stages. Ataaka’s bold claim adds fuel to the already fiery competition, as artists vie for recognition and supremacy in the Ghanaian rap landscape.
The intriguing aspect of Ataaka’s declaration is the mystery surrounding his unidentified rival. As he throws jabs at those he perceives as lesser lyricists, fans and fellow artists are left speculating about who might be the target of his verbal onslaught. This not only adds spice to the ongoing narrative but also stirs curiosity within the music community.
He writes:
“As a proud grandson of Gbewaa, this is an identity that personalizes an aura of chiefdom. It wasn’t a mistake being in the best of regalia for a day that sought to project the North to the global space. As I climbed the podium in a traditional style, the spirit of Tohazie and Naa Zangina descended to take control of my being. A true representation of the North it was! Even if not celebrated, history shall not forget what Ataaka has done in building a progressive cultural uplift for DAGBON through musical composition and its affiliates, such as concerts!”
