Ghanaian music icon Stonebwoy has found himself at the center of a social media debate following his recent performance on DJ AG Online’s set in London.
While the performance was intended to amplify Afro-Dancehall on a global scale, some critics questioned his decision to appear on a platform often associated with emerging artists.
The backlash, largely from a section of fans, argued that an internationally recognized figure like Stonebwoy should not associate with such platforms. They claimed his appearance could be seen as a downgrade, considering his status in the music industry.
However, Jamaican dancehall sensation Kranium has come to Stonebwoy’s defense, dismissing the criticism and praising the move as a bold and strategic step to globalize Ghanaian dancehall.
“To the idiots who doesn’t understand the reason why Stonebwoy is in the middle of the city performing in UK is the ones that doesn’t understand the purpose!! The man is pushing Ghana dancehall across the world!” Kranium posted on X (formerly Twitter).
His passionate response has reignited conversations about how African artists can leverage unconventional platforms to break new grounds and expand their reach internationally. Many fans and music lovers have since applauded Kranium for standing with Stonebwoy and emphasizing the importance of connecting with diverse audiences.
Stonebwoy, known for his dynamic stage presence and commitment to promoting African sounds globally, continues to bridge cultures through music. His appearance on DJ AG Online’s street performance platform not only highlighted his versatility but also symbolized a shift in how global music is shared, experienced, and appreciated.
As the discourse continues, one thing is clear — Stonebwoy’s presence on international platforms, no matter the size or structure, plays a critical role in pushing Ghana’s dancehall movement beyond borders.
